ANDREAS DOUB

Born in Saarbrücken, Germany > 1989 Examination of the High School ( Willy Graf Gymnasium in Saarbrücken ) > 1990-1992 >Trainee at Cine Service Berlin ( film equipment rental store ) > 1993- 1993 >Working as an electrician / best boy / gaffer in TV- and film productions, > videoclips and Commercials >1994-1999 >Student of cinematography at dffb ( Deutsche Film- und Fernsehakademie >Berlin) > Selection of my work as cinematographer >1995: Berivan, shortfilm, 16mm, colour, (dffb) Director: Miraz Bezar > 1996: Zahltag, shortfilm, 16mm, b&w, (dffb) Director: Lars Kraume > Checker, shortfilm, 16mm, colour, (dffb) Director: Christian Schidlowski > Langdon connection, shortfilm, 16mm, b&w, (dffb/HdK ) > Director: Jörg Langkau > Life is too short to dance with ugly women, shortfilm,35mm,colour Director: Lars Kraume > 1997: King of the elephants, shortfilm, S-16mm,colour,(dffb) Director: Lars Kraume > Boomtown Berlin ( Hau die Kachel ), Beta, colour (series SFB/dffb ) Director: Nina Fischer > Dunckel, feature film, 35mm, colour ( ZDF/dffb) Director: Lars Kraume 1998 > Heimkehrer, shortfilm, 35mm, colour (dffb) Director: Hannes Stöhr > Einsatz Hamburg – Süd, S-16mm, colour (series NDR/monaco film ) Director: Lars Kraume > Boomtown Berlin ( Rächer der Entwurzelten ), 16mm, colour, (series >SFB/dffb) Director: Christian Schidlowski > 1999 Retribution, TV- feature film, S-16mm, colour (SAT-1/ Studio Hamburg) Director: Lars Kraume > Gegen den Strich, feature film, S-16mm ( blow up to 35mm ), colour (ZDF/Jost Hering) Director: Andreas Struck

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MARKUS HUERSCH

Education 1974-84 Primary school in Berne. 1984-90 Teachers training college in Berne. 1991-92 University of Berne: History of Art, Theatre, Philosophy. 1992-94 University of Freiburg: Journalism and Visual Media. 1993-94 Course in Filmmaking (16mm), School of Arts, Berne. 1995-99 London International Film School, work as Lighting Cameraman on short and commercials.

PAUNI PASI

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ERDéLY MáTYáS

RACHEL A. ZABAR

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CHRISTIAN MORETON

Cinematography continually provides me with great opportunities to test myself. It is a forum which demands equal parts science and art. I have found that after each life experience, my work shifts into an unexpected direction. Stage acting, theatre lighting, parliamentary debating, painting, film editing, and traveling are all activities which have helped me to refine my aesthetic sense. I am always trying to use specific techniques to create a style, while stripping away the unnecessary. Shots in a film must be balanced in the same way that each brush stroke of a Degas is part of the final piece. Not every shot should be the “Money Shot.” I find insensitive cinematography which draws attention to itself to be vulgar. However, I am familiar with this mistake only because I’ve made it on many occasions. I look forward to the Masterclass because it will be a chance for us to discuss these and other issues. The experience will certainly add to our understanding and ability for the work which lies ahead.

PHILIP ROBERTSON

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ROGERIO MARTINS DE MOREAS

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FLORIAN KIRCHLER

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DARIA MOHEB ZANDI

Apprenticeship From September 1993 to July 1996 Apprenticeship as a Photographer at the Free University of Berlin certificate as a photographer. Since October 1996 - study of cinematography at the Academy of Film and Television „Konrad Wolf“ in Potsdam - Babelsberg. Assistant of Scenography at the Schiller Theatre Berlin Shakespeare production „As You Like It“. 1995 and 1996 work as a still photographer for various student film productions „Morgue“, „Checker“, etc. October 1992 to October 1996 job at the Wintergarten VarieteTheatre, Berlin in various branches.

Film Projects: Nov 1996 Documentary about an ironfoundry (format Beta SP; 6 min). March 1997: Documentary about a Bailiff Director Bianca Bodau (format 16mm, colour; 15 min). July 1997: „Kerkerträume“ short film Director Andreas Bolm (format 16mm, B/W; 4 min). Aug 1997: „Tüten“ short film Director Anna-Luise Böhm (format Beta SP; 10 min) „Vanishing Venice“ dokumentary, Director: Marco Casiglieri, cooperative work with two students of my class (format 16mm, colour; 75 min). Nov 1997: „Hier sieht`s ja aus wie....“ short film, Director: Andreas Dihm. Combination of reel film and animation film animation part still in work ! (format 35mm, colour). Jan 1998: „TOOB-U“ short film, Director: Steffi Doehlemann (format 35mm, colour; 3 min) May 1998 contribution to „Boxer“ documentary for television. Director: Corinna Wichmann, Sabine König (format DV PRO; 30 min) June 1998 „Barefoot“ short film, Director: Maria Späth (16mm, colour; 20 min). Nov 1998: „Shining Shoes“ short film, Director Linda Breitlauch (format 16mm, coloue; 10 min)

My favourite pic...

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Born January 3rd 1964 in Bern. Swiss father and danish mother. 1970 - 80 Schools and Education in Switzerland. 1980 - 82 School of Trade and Commerce in Biel. 1982 - 84 Apprenticeship at Swissair - Geneva Airport 1985 Ground Staff at Swissair - London Heathrow Airport 1986 - 92 Ground Staff at Swissair - Geneva Airport, Brazzaville (Congo), Algiers 1986 - 89 Work at the Videocollectif „Videograph“ in Geneva as director, editor, technican, operator 1989 - 92 Member of the Video and Filmgroup „IMAGIA“ in Geneva, mainly as a cameraman since 89 Work as Videocameraman and cinematographer on small students projects 1992 Begin of studies at the HFF - Munich Film and Television School Beside the studies work as cinematographer, videographer, gaffer and electrician, script lector for production compagnies, pedagogical filmworkshop-leader as director and cameraman for schoolclasses from 10-25 at the Bavarian Studios (from 93-97 I shot over 200 minifilms of approx. 4 min. - all shot and edited in a single day). D.o.P. at the HFF-Workshop for multiple camera directing exercises(1996-99) Languages: German, French, English; some Italian & Spanish

Filmography (as D.o.P - selection):

• 1999 Simon, Fiction by A. Jerkic 16mm, b/w, 7’
• 1998 Le Chemin du Prince, Fiction by P. Baumgartner 35mm, col., 35’ Legends: SORAYA, Documentary by R. May Digibeta, col., 52’ Dobermann, Fiction by F. Henckel 16mm, b/w, 5’
• 1997 Kiss Me!, Fiction by A. Kunja Digibeta to 35mm, col., 90’ Lichtspieler, Documentary by B. Kurt Digibeta, col., 52’ 3 Tage vor der Zukunft, Documentary by N. Heich Beta SP, col., 26’
• 1996 Held, Fiction by P. Stauch 16mm, b/w, 12’ Sweet Sixteen, Fiction by A. Neitzert 16mm, col., 15’ Schafkopfen, Fiction by M. Rosenmüller 16mm, b/w, 11’ Regret, Fiction by G. Singldinger Beta SP, b/w, 15’ 1995 Nacht der Dämonen, Documentary A. Riedel Beta SP, col., 15’
• 1994 Rückkopplung, Fiction by A. Farac 35mm, b/w, 14’ Sitio, Fiction by N. Dietrich 16mm, col., 15’
• 1993 Second Hand, Fiction by B. Kurt 16mm, b/w, 12’
• 1992 Axel, Fiction by F. Preiswerk 16mm, col., 14’ Alice et Albert,Fiction by C. Kasper 16mm, col, 8’
• 1991 Entre Chien et Loup, Experimental by C. Hummel Beta SP, col., 7’ Monsieur B., Fiction by L. Graenicher Beta SP, col., 15’ Maldonne à Agrate, Fiction by C. Kasper S-8mm, col., 14’

TALIA GAL'ON

Address - 14 Gretz st. Tel-Aviv Israel Tel - 972-3-5244590

Academic education - 1988-1991 - Graduate, with extra excellency, Psychology , Hebrew University, Jerusalem, Israel. 1991-1993 - Film & Television studies, Tel-Aviv University. 1998-1999 - Second degree (M.A) studies, General-Literature, Tel-Aviv University, Israel.

Awards & Scholarships - 1995 - “The Golden Lens” price of the Israeli Photographers’ Society "Best Short-film’s Photography". 1993 - Scholarship of the American-Israeli Foundation, for film’s photography. 1991 - “Best short film” price in the ‘Student-day’ contest, Tel-Aviv University. 1991 - Award for excellency, The Faculty of Arts, Tel-Aviv University. 1988-1989 - Dean’s awards, The Faculty of Social-Science, Hebrew University, Jerusalem.

Selected Photography Works- 1999 - ‘Yona’ Television-Drama, 30 min. , 16 mm. 1997 - Video-clip for the leading song of 'Marco-Polo’ (an Israeli feature film), DV. 1997 - Video work for a play by Bertold Brecht , Haifa Theater. Beta. 1996 - ‘Moon-Man’, student film, 17 min, 16 mm. Haifa I.F.F second place award. 1995 - ‘Swamp’, student film, 15 min. 16 mm. Munich S.I.F.F. 1995 - ‘Mona’, student film, 17 min. 16 mm. Munich S.I.F.F, Haifa I.F.F, Karlovy Vary S.I.F.F, Brno 16 S.F.F- award third place student. 1995 - The opening clip of Tel-Aviv S.I.F.F. 16 mm. 1993 - ‘Home’, student film 10 min. 16 mm. Munich S.I.F.F, B.F.I’s London, ‘Outtest’ 1995, U.S.V.A S.F.F , Winner of ‘Golden Lens’ award- Israel.

CARLOS AGUILERA HERRERA

AUTOBIOGRAPHY.

I was born in Mexico city on April 2nd 1970. My interest on film making came up to me when I lived in London England on 1992. There I took a six months B&W photography workshop at Richmond College.On my way back to Mexico I got in the University Center of Cinematography to do a Bachelor of cinematography (1995-1999) specialized on DoP. On September 1996, as an extra college program, I took the Kodak Photography Workshop from New York teacher's DoP Donald Strine. At the moment I am working in Buenos Aires Argentina, beside publicity works, collaborating as a Dop on a tv cultural program about Artistic Photography Produced by Zebra Productions Argentina for Canal (á).

FILMOGRAPHY.

Short cut DOP 16 mm Fiction 3 min Documentary DOP Video Hi8 La realidad Chiapas. 1996 Short cut DOP 16 mm Fiction 10 min 1,2,3, for me. Documentary Realizator 16 mm This City It Is not 15 min For Dogs. Short cut DOP 16 mm Fiction 30 min All the Airplanes In the world. Short cut DOP 35 mm Fiction 30 min Half An Hour Late Short cut DOP 35 mm Fiction 15 min How to live tomorrow.

My favourite pic...